Caterpillar

The farmer had cut his crop. With singing hearts and shining eyes, we looked on in wonder. There was so much hay! Planning out our evenings adventure began in earnest. It was going to be so much fun! We felt so lucky to have a house on the edge of the estate – overlooking a farmer’s field that went on and on until it reached the tree line of the woods and the farmer’s cottage beyond.  Such a wonderful playground – speaking to us in seasons – its colours changing with the crops.

It had been a hot day but also rainy, so we decided to wear our cagoules. The front pockets of those raincoats were amazing! Not only did they store the raincoat itself, but it was great for carrying sandwiches in, and once the sandwiches were eaten, we would fold them and compete for the star prize of “prestige” for the tidiest packet pocket. I think that’s what we used to call it, anyway.

Having met at the arranged time, just after tea, we climbed with well-practiced skill over the green mesh fence. It was about a metre high, but it was not in the slightest bit stable so choosing the right foothold and momentum to lift yourself over was quite important. The foothold needs to be not too high and not too low – swinging as the fence bent with our weight from a high foothold was terrifying but not being able to climb over from a low anchor would lead to scratches and possible failure.

We scrambled gracelessly over to the other side, landing on the furrowed edge, and stepped up on to the slightly higher flats of the field. It smelled delicious. Dry and grassy, yet hot and damp – earthy and humid and buzzing with insects and faint whispers of dust that had yet to settle after all the hectic harvesting.

Racing across the field, I was feeling slightly terrified. We were, after all, trespassers.

Our crime was immediately forgotten with the first hay fight of the summer. Racing and dancing, howling, flinging handfuls of hay at each other. We were positively wild!

The plan we had made to build hay hills, no… haystacks, was a success and we used them as trampolines and crash mats– catapulting and somersaulting with running jumps as terrifying human projectiles – practically screaming with laughter. I don’t think we’d ever tried this before, and probably never would again, (but we had planned to), on that fine and lovely day. Such fickle children living in a shining moment forgetting that tomorrow was another day. Having played until it started getting dark, the streetlamps flickering from across the field were now telling us it was time to go home. I didn’t want it to end and perhaps the others thought so too, judging by the bereft looks on their faces. It had been so much fun!  

A little dishevelled, I was surprised when my return was not met with too much commentary, but the next day was a different matter. Somehow, I’d managed to bring a million caterpillars back in my raincoat. They were everywhere and causing all kinds of upset from the cupboard under the stairs where we hung our coats and kept the vegetable rack. It was initially received with humour but in the end, it became clear that I would be scolded all that morning when enough was most definitely enough. The thing is the caterpillar problem just would not even try to die down as a new caterpillar would rear its hairy head every other minute. It was as if that cupboard was haunted by caterpillars, and it became draining. My mother was huffing, and my older sister was puffing – deep down glad it wasn’t her who created such a drama for once. Because she often did, I can tell you! But it was worth it. I still remember the absolute joy for that haystack adventure and the caterpillars who came, too.

Published in Mom’s Favorite Reads

Flower Fairy – process art

Seed Flower Fairy

Oh, so long ago a lovely collection of seeding dandelions were collected and collated into a collage. The perfect store for my Seed Fairy’s fashion inspirations. She wears fluffing dandelions in her hair, a pretty petalled gown and dusty moth wings. She is ready for the fairy ball. Or so you’d like to think. But no, she is the worlds biggest trickster as she loves to hide out of sight and have seeds rain down on any unsuspecting fairy she takes a shine to.

You’ll meet that fairy next time.

Drawing of a Flower fairy with moth wings sowing dandelion seeds
Flower Fairy Art

I drew her using aged flowers that had been collected and displayed in a picture frame. The dried fluff on a dandelion is perfect and I began with graphite with the idea that I would finish with coloured pencil. I love to draw in graphite, but I know colour would enhance a lovely fairy, so I decided to make my graphite work as an under drawing and then I can add colour later. Grey scale underpaintings are a useful step towards your finished piece as you can solve quite a lot of problems at an early stage. I always find this part relaxing. I think giving yourself freedom to make mistakes is very important to enjoying the process – art shouldn’t be stressful. I find painting stressful as I’m not a painter and this is my answer. And once the graphite drawing is ready, I plan to scan a slightly paler version of it and print it on the same good quality paper so I can then continue safely adding colour to the drawing. Colour pencil directly over graphite is not a good idea – it looks dirty and you can ruin quite a lot of effort that way.

Going back to the initial graphite I used a few mark making techniques that I find work quite well with graphite pencils. You can get them reliably sharp and work at different angles and pressure to get some interesting effects.

The frothy hair was made with twists and flicks, the smooth skin was made by transferring graphite from the pencil via the paper to the tornichon – I find this so much smoother than lines – especially for such a small face.

As I refined the sketch, I noticed that the proportions needed a little attention, her neck was a little too big and her jaw too manly, so I slimmed that down and sharpened her jaw – something I would have struggled with had I dived straight in with coloured pencil. I continued this way until I was satisfied that she was believable. This particular fairy is based on human anatomy and so I used a selection of references that helped me check that she was correct. I find manga and anime art is very helpful with this sort of project because it is very dynamic.

I continued working on her skirt – which is an inverted flower, and I made plump petals to give it a bell shape. I gave it movement by pushing them forward to show she was flying, and they were interreacting with her lower body. Her legs were loosely based on flower stems. 

Since I have other plans, there is no point trying to finish this as a very detailed graphite drawing, so I scanned it, and printed it on to the same paper I used for the first stage. I added some pale layers of browns and reds and greens. Too many colours are likely to spoil the drawing and I like to use Autumnal colours for this type of creature so I am keeping it simple. I think a mix of different browns can look so lovely, and I’m pretty sure this is why I get so much inspiration from Froud and Rackham as their work features these colours a lot. I like working with muted tones. They seem more delicate to me. More subtle. They are not as simple as they look, but it’s nice that they give that impression.  

There is still a lot of work to do at this stage. Make no mistake, it is not colouring in. The graphite is an underpainting and I’ll probably be here a while!

I’m using subdued colours for this fairy. Medium terracotta, Lincoln green, and a mix of browns. Understanding the colours will be helpful. Greens and reds are complimentary colours so tend to make each other appear brighter if they are next to each other. You can also use a red to mute a green – or vice versa – if your colour looks too bright. Mixing them creates different browns depending on the type of red and green you choose. I think this can make colours marry nicely as your parent colours will work without too much trouble with the brown you made them with.

Published in Mom’s Favorite Reads

May Market

My Folksy theme this week is May Market

I have a stall on Facebooks Virtual May Market 2022 (Stall 20) which is super exciting as I’ve never done anything like this before! 🙂

Folksy is not as well-known as some arts and crafts platforms so it’s a big push for Folksy Sellers to get some visibility. Here’s what I shared from my shop listings this week!

Happy Folksy Friday!

Alison

Paynes Grey Art Shop – Illustrations on Folksy

Animal art

Animal art on Folksy

As you can see, my Folksy Board theme this week is animal art! All graphite illustrations inspired by birdlife and marine life – originally made whilst participating in the Animal Alphabets art collective on Twitter

I have some prints available of the birds at the moment. The Weedy Sea Dragon is an original illustration only available in my Folksy shop.

Happy Folksy Friday!

Alison

Paynes Grey Art Shop – Illustrations on Folksy

Spring time means flowers!

I am currently collecting wild flowers (some people call them weeds, I suppose) as I go on my walks, and when I get home I press them between pages for future art making. So, this week I have been inspired to create my folksy board to celebrate the latest flowery members of my pressed flower family 🙂

So, this weeks Folksy Board theme is flowers – and it includes the orchid I illustrated for a recent magazine article. (I wrote about that here)

Flowers in Pencil

Pencil illustration – Inspired by pressed flowers.

I have some cards and postcard/art cards available, and I have also listed the original of the red flower and orchid/buttercup drawings available in my Folksy shop.

Happy Folksy Friday!

Alison

Paynes Grey Art Shop – Illustrations on Folksy

Steampunk Ladybird

It’s been a month of ladybird creations for me as not only have I made some ladybird art for the Animaloon Collective over on Twitter, I also submitted another illustration and a story to the magazine I contribute to. This will be for the May 2022 edition so I will share soon enough.

For now here’s the artwork I made for the loony balloony balloon fest that occurs every second Tuesday of the month. As usual, I am loathe to inflate them. Instead they become airborne in all manner of whimsical ways. This time it’s steam!

Fileas Grey Forgot his Hat

This was inspired by ladybirds, steampunk dirigibles, and my work in progress ghost story.

Drawn with graphite and coloured pencils.

Fileas Grey Forgot His Hat (detail)

Fluffy Cat

Fluffy Cat in Graphite – Art Process

by Alison Rasmussen

I think mark making is a great way to build texture with graphite and I really love drawing fluffy things. I also yearn for a kitty cat but for various reasons I don’t have one, so it’s best to make one to fill that kitty cat void. This one looks very sympathetic and very fluffy!

Some time ago I drew a very silly cat called Slinky, shaped liked a skittle/bowling pin and very lanky, and I thought, since it’s kind of chilly, maybe she needed more hair.

I’m using some new pencils for the first time – Mars Lumograph Black – I like Mars Lumograph a lot, so I decided to test out the Black ones.  They are similar to the others, just not as shiny as far as I can tell. My other tools include mechanical pencils, paper tornichons, and different erasers – a putty eraser, blue-tac, and a pencil eraser, which is, I guess, like a stick eraser in pencil form (must get me one on those!)

I don’t use the mechanical pencils for the mark making – there’s only so much you can do with a mechanical pencil as the lead can’t take the pressure, but they are good for laying out the initial line work, as I don’t need to worry about making errors and having to sharpen the wooden pencils into stubs before I’m even finished!

The paper I’m using is a lovely bright white – Canson extra white drawing paper 120 g/m2 – but to be honest just use whatever you like – I just like it very white! I have ordered white paper in the past that wasn’t remotely white and left me feeling rather bitter, so to actually find some that is bright and very white, well, I just feel I should mention it! 😊

I started out by working on the basic shape of the cat. I made her neck a little wider to take into account the fluff I‘m planning, and then started with the Black pencils. I added small lines and dashes very lightly, following the natural flow of the fur and the underlying structure of the cat’s body to make it believable. Even if she is a fantasy cat, she still needs to be believable.  I drew the tail across her body – even though I plan to have it sit behind, this way the ends will meet, and make sense visually.

I blended my marks with the tornichon where the areas are small on her face and used a piece of cotton wool for the body. Then I kept working on another layer of marks, adding flicks of graphite along the contours to explain the changes in direction of the bones and muscles that sit beneath. I also used this to show the interaction with the cat’s environment i.e., the fur resting on the floor, flattened, or pushed up and out.

I changed to a heavier grade pencil, a 4B (then a 6B) so I could build on top of existing marks, and I added white flicks of exposed paper with the sharpened pencil eraser and the moulded to a point putty rubber. Keep the points of the erasers clean so they don’t add any unwanted smudges. Constantly sharpening the pencil eraser is a waste so you can use fine sandpaper to clean it off from time to time.

I also blended the sides of the cat to give her a blurred edge which would hopefully suggest a fuzzy fluffy fur effect. Continuing with the tornichon, I blended the marks I’d already made on the tail. I focussed on a line that ran down the centre of the length to suggest density where the bones would be and gave a lighter feel where only hair makes up the shape.

I started adding darker layers with a 6B to add a bit of depth. I realised at some point she had begun to look a little fluffier than I had intended. I’d lost sight of the skeleton and muscle, so I took steps to lift off some of the graphite with the putty rubber and the pencil eraser. Pushing the pencil with upwards strokes, as if working underneath the fur, creates some important shading as it creates a denser appearance. I did this with the darker 6B but I didn’t go overboard as too much uniformity with the mark making spoils the effect.

I finished with an 8B to add definition and find any lost details and sharpen up any important lines. And now Slinky is all set for a cold Spring!

 I’ve focussed on the fur texture here and so I haven’t mentioned the eyes, but I plan to write about drawing eyes another time.

Oh! I’ve included some of the other floofs I made. They insisted! 😊  

Featured in Mom’s favorite Reads Magazine

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Mythical Creatures

It’s Folksy Friday and this week I made a Mythical Creatures board to showcase some of the things I have made.

I worked with mixed media as well as some very mixed inspiration!

I’m always inspired by fairy tales and folklore, and Asian art.

There’s an anime influence with the Amaimon mermaid (Blue Exorcist) and the Blue Golem (Laputa – Castle in the Sky – Studio Ghibli).    

Some of these were made with acrylic or watercolour paint (I hate painting!), some with graphite and some with coloured pencils (I love drawing!).

I have cards, postcards (for notes or art cards) and some prints available.

Happy Folksy Friday!

Alison

Paynes Grey Art Shop – Illustrations on Folksy

Folksy Friday – Gothic

Hello! I’ve been busy setting up listings in my Folksy shop – Paynes Grey Art Shop.

I made my first Folksy Friday grid – the theme – Gothic!

My illustrations were made for Halloween and Drawlloween 2020/2021, and for a ghost story I am (always) writing.

You can find me on Folksy. There you will find ghosts, and witches, gothic puppets, and vampires, and pressed flower art.

All inspired by my love of Halloween, Asian art, and cute witches.

I drew these using pastels and pastel pencils and have cards, postcards and prints available.

Happy Folksy Friday!

Alison

Paynes Grey Art Shop – Illustrations on Folksy

Orchids in Coloured Pencil

Pressed Flower Illustration – Art Process – written for and featured in Mom’s Favorite Reads March 2022 edition.

Orchid in coloured pencil.

I like to press any flowers I get my hands on so I can come back years later and draw them. I’ve been doing that for over ten years now and have lots of cute flowers, leaves and grass in splat form. They live (and are mostly pressed) in a few pretty books that I also enjoy collecting.

I like to draw pressed flowers because they look so interesting, and I like the way the colours change when they are pressed. Sometimes they are more muted and aged and sometimes the bright colours seem more vivid – perhaps because the other colours have paled; but the thing I really like about the pressed flower is that it’s still here; preserved.

This flower is an orchid which I pressed between the pages of a book about five years ago – I think it would be nothing but dust if I hadn’t intervened, and that sort of makes me happy.

In the tradition of continuing with this flower preservation, I like to draw them, too.

Using a paper towel under my wrist and fingers to keep the paper clean, I started off making a line drawing with a grey lavender wax based coloured pencil – used lightly, so that any mistakes can be removed more easily. Coloured pencils are a bit more stubborn to rub out compared to the usual graphite that I use for lines, but the graphite will not work that well with coloured pencil, so I choose to avoid it.

Once I’m happy with the line art (and it really doesn’t have to be exact) I start adding layers of colour – paler shades which will add to the layers of colour and give the petals more vibrancy and keep light areas light. If there’s one thing I’ve carried over from my disastrous watercolour attempts it’s that preserving the white of your paper is really important.

Some of the colours I used here are soft pink and lavender, as well as blue based purples and blackberry. I look at the colours to work out which ones are dominant, which ones are there for contrast and which ones are surprising (like the brown of the stalk turning purple as it moves up towards the flower, and then reappearing once more, browning the petals to show their gorgeous aging).

I leave hard edges for the petals edge and softer strokes for transitions where the colours meet and marry. I add colour in the direction of the texture of the petal.

I use a colour free wax blender (because my pencils are wax based) to blend, and I burnish with a white or a lighter colour to mute or lighten. If the colour starts looking too bright you can mute it with grey – I used grey lavender and pale lavender to tone down this problem.

If you need to remove some colour or add some texture and a regular putty eraser won’t do it then stickier blu tack/poster putty will be helpful. It won’t stay sticky forever, but it is very handy for working on mistakes and tidying up as you go along.

I wanted to strengthen the outer edges of the petal at this point, but I don’t draw over the original line. Instead, I start adding the colour directly next to the line (from the inside) and pulling the colour into the petal – it looks more natural and helps form the colour gradation. I don’t want the petal to look too solid since its flat and squished from pressing these days, so I try really hard to draw what I can see and not what I think it should look like. I also don’t want to lose the translucency of the petals, so I am trying to resist too much blending, so that the white of the paper can play its part.

My final step is to add some additional greys and some browns to the petals to give it an aged, antique feel, and I’m done!

I went on to make this drawing a part of my floral collection greeting cards. 🙂

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Mom’s Favorite Reads March 2022 edition